Computational analysis of sound driving generated visual elements – are widespread in contemporary media arts, and its aesthetics are more diverse. In custom-coded audio visualizations artists such as Marius Watz and Robert Hodgin construct visualizations tuned to specific soundtracks; the … Continue reading →

Inframedia is, according to Mitchell Whitelaw, “a stratum below or within the mainlines of electronicmedia”. Data bending can be used by sound (and other digital media artists), as a way of generating rather unpredictable audio sources relying on the method … Continue reading →

Quotes: ‘A further step in uniting visual and auditory experience has been developed in recent years through the medium of installation art.(…) While sound may be directional in origin, it can be perceived no matter what direction the listener faces; … Continue reading →

What do Mark Fisher’s lecture and Chinese electronic music producer have in common?

The idea of post-human asteroids that work for us is not new. A Soviet biologists in late 1920’s had an idea of creating super-workers breeding humans with apes. Zizek is claiming that contrary to the belief that capitalism is a … Continue reading →

Everybody in the place – An Incomplete History of Britain 1984 -1992. In this one hour long documentary Dweller presents the history of rave culture in Britain in the context of social and political shifts in 1980s Britain that took … Continue reading →

Reduced audiovisual integration in synesthesia–evidence from bimodal speech perception – https://bpspsychub.onlinelibrary.wiley.com/doi/epdf/10.1111/jnp.12006?saml_referrer

At today’s class we explored what site specific means in context of art and sound art. We explained briefly the distinction between site, space and place; site being a specific location (like a particular gallery or the LCC; space – … Continue reading →