31st October 2022
by Alicja Barczuk
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As an experiment I made a collage of video and sound. Video was recorded in Shoeburyness on a windy day in the time of low tide. During my walk I heard blowy, whistling sounds, that were coming from metal barriers … Continue reading
27th October 2022
by Alicja Barczuk
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People experiencing music are often tapping their feet, sway their bodies or nod their heads which is led by the main rhythm or pulse. But how do we find the pulse? Depending on the complexity of the rhythm this task … Continue reading
27th October 2022
by Alicja Barczuk
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Living in more than human entities. Silence as a begging of listening ,not the lack of sound. Lena’s approach to field recording in creating of her album Nebiela was to let things happens. She left the recorder (SM4 recorder) outside … Continue reading
20th October 2022
by Alicja Barczuk
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In further weeks we got introduced to open-source visual programming called Pure Data. It runs on anything from personal computers to embedded devices. It can make pretty much any sound and digital instrument and apart from that, it has functions … Continue reading
20th October 2022
by Alicja Barczuk
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Composition – not something that is planned too much, without using grid, thinking less about tools amd thinking more about sound – growing the epractice, growing connections and frequencies with other people. Sharing intellectual and music path in work composition, … Continue reading
20th October 2022
by Alicja Barczuk
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Podcasts, videos, sound works about misophonia: https://www.misophoniapodcast.com/#:~:text=Host%20Adeel%20Ahmad%20talks%20to,wherever%20you%20listen%20to%20podcasts. https://misophoniainstitute.org/misophonia-test-do-you-have-misophonia/ https://www.youtube.com/watch?v=VU2x-PK1rBc Misophpnia audio paper start with a sound collage that can introduce the audience to what misophonia can feel like – an atmosphere of unease, anxiety, some folly or synthesised sounds (maybe) … Continue reading
15th October 2022
by Alicja Barczuk
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I listened to to 2 chosen podcasts, linked below. The Audio Paper Manifesto: The audio paper affords performative aesthetics. The audio paper is idiosyncratic. The audio paper is situated and partial. The audio paper renders affects and sensations. The audio … Continue reading
14th October 2022
by Alicja Barczuk
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Jargonbuster – technical language explained! https://web.archive.org/web/20150629032452/http://www.soundonsound.com/information/Glossary.php Matthias Kisspert – Brief Encounters / Life in Edits http://www.matthiaskispert.com/sound/brief-encounters-life-in-edits/ Exercise Sketch the ideas you have for your audio paper in a different format. Choose: 1. a landscape (places, paths, obstacles, terrains, vegetation, etc.) … Continue reading
10th October 2022
by Alicja Barczuk
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Folly can be used in sound design as a portal into another perspective. During the session of recording folly sounds for chosen “Let’s talk about Kevin” scene, we tried to recreate a sound of moving sheets. Folly sounds are great … Continue reading
6th October 2022
by Alicja Barczuk
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Noise and vulgarity, sonic ways of knowing the world, music licensing recognition – way of getting to know each other. The knowledge that music implies. General questions: Who is the voice? Synchresis – fusion that happens between the sound and … Continue reading