Composition – not something that is planned too much, without using grid, thinking less about tools amd thinking more about sound – growing the epractice, growing connections and frequencies with other people.

Sharing intellectual and music path in work

composition, collection of facts,

expanding ideas of formats and composition – time based essay

re-con-experimental space for sound, composition, space that is dedicated to listening, listening to somwething thats not obvious – listening to neglectic spaces and to neglect and to do something with that.

Lastesis – chillean collective

Q1: ’m interested in your sonic wild code, sound camps that you said you ran, that lasted 7 or sometimes 3-5 days. How did these sound camps in the rural countryside inspire or affect the artists you invited? Where they from more urban cities? Did they find any spiritual or meditative experience being in a less noise polluted environment?

My second question is about you and your rural living as part of your practice. What is it about living rural that you think that speaks to you as a practitioner? What does it offer you that urban areas don’t?

Q2: Can you talk a bit more about rural futurism? And how sound & listening practices can interact with the ideas from this manifesto?

Q3: am interested to hear a little more about two phrases that appeared in your presentation: radical mycology and trans-corporeal-feminism. Could you explain what you feel these terms mean? Side note: that Commodore 64 program was my first music software too! I got it age 5, it made very little sense to me but made such good sounds