Fascination with the resurrection of the past, listening to the past in real life

Always possibility of making “unuseful’ INSTRUMENTS

Models as representation of realiality and also the science fiction

What can be known as real?

Modelling nature – an opinionated introduction to scientific representation

Targetless model – model of something that doesn’t exist/ we don’t know of it’s existence – it can change over time

PHILOSOPGY “AS IF”

The sound of impossible instruments

Locational audio (you can drop any sound in a specific  spot in space

NESS-NeXT Generation Sound Synthesis: http://www.ness.music.ed.ac.uk – 

synthesised, immitated and recorded sounds (16 speakers)

Boids algorithm – often used in animation (I.e. Lion King, early video games)

Used in electroacoustic music 1.Separatio, 2.Alingment, 3.cohesion – with these 3 rules and without a lease a beautiful patterns can occur 

“Jasmin flower town”- look at the website fo lecture

Harmonics ——- Rationality (links)

Hiding the messages under the layer of humour and other elements in the performance

Process:

Material will guide your process, writing document to yourself (loose notes that don’t have to be smoothly written, it’s just to communicate ideas and thoughts to oneself); using a chip tune, adding new layers, rationlised and also crazy and vibrant

The trumpet model is the only instrument that you can render locally (offline), giving the extreme parameters to modelers,

materials- making a commentary about them, adding your own inspirations

idiomatic – using, containing, or denoting expressions that are natural to a native speaker.‘he spoke fluent, idiomatic English’; appropriate to the style of art or music associated with a particular period, individual, or group.‘a short Bach piece containing lots of idiomatic motifs’, using contradictions and completely unlatching elements to create bizarre results, stressing the bizarres of it,

How to address the vibrance of what’s around us in relation to academic